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Miroslav Oražem, author of the first stamps for Slovenian Litoral and Istria in 1945. |
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Veselko Guštin | |||||||||||||
Miroslav Oražem, 13.3.1900-23.7.1975, student, Pinter, graphic artist, sculptor, and architect: he graduated in 1927 from the Department of Architecture of TF (Technical Faculty) in Ljubljana by Jože Plečnik. While studying, he worked with a sculptor A. Arhipeng in Berlin, 1929-30, he met Le Corbusier in Paris. In the years 1934-50, he taught in the Ljubljana Technical School. He was drawn to avant-garde artistic tendencies, initially constructivism and cubism. To the public, he presented himself for the first time in 1924 at the Ljubljana Youth Club exhibition with the statue of "Torzo". He showed up again in 1953 at the exhibition of the Ljubljana Society of Decorative Arts with the already abstract garden plastic under the influence of H. Arp and H. Moor. He has also worked in architecture, interiors and applied arts. (From the encyclopedia of Slovenia, 1994) Miroslav Oražem, designer of the first stamps of the Slovenian Littoral and Istria: The Slovenian Littoral and Istria experienced a real philatelic boom when for the first time they can read the Slovenian or Croatian words. The stamps with motifs of places and costumes with the bilingual inscription Istra / Slovensko Primorje - Istria / Slovenian Littoral arrived at the post offices on 15th August 1945. These were the "chainbreakers" of the Slovenian Litoral and Istria in 1945 by M. Oražem.
Since the letter dated 7 June 1945, the Ljubljana Postal Administration (Fig. 1) has informed the typography and the designer (M. Oražem) of the number of 5,000,000 stamps in (jugo) lire for the Slovenian litoral and Istria to be done. The typed text was repeatedly corrected by Oražem itself with the names of the stamps, the size and the quantity issued. The basic proposal covered 10 stamps. With the first correction of two added, and one canceled there were - 11 stamps in total. The issue was expected in the coming days.
The total quantity of issued stamps does not give more than 5 million pieces, but less. Apparently, the author felt that these numbers were too high. If we look in the catalog (Tergeste, catalogo speciale, A. Bornstein, Trieste, 1949-50), we see that the total quantity of stamps is even lower. This is because a significant number of stamps were used to overprint with new face values, and with »PORTO« for the use as revenues postage stamps.
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